With the new visual identity, T:>Works also released its new mission and direction.
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With the new visual identity, T:>Works also released its new mission and direction.
Mission
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Mission
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Profiles
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TheatreWorks Writers’ Lab presents N.O.W., a three-week public project. From 2019-2021, Noorlinah Mohd, established actress and arts educator, is appointed N.O.W.’s Artistic Director.

A hundred days after her husband’s death, things come to a head, with the devout woman’s two sons at each other’s throats over what it means to honour their father’s memory.

Jacob Teo and Joseph Teo, identical twins but born minutes apart. What happens when one child goes missing?

The play is a patchwork of twenty short scenes revolving around an unuttered question – what are human relationships made of?

‘Fever Room’ presents a theatrical experience that takes us far beyond the frontiers of cinema, and plunges us deep into the filmmaker’s dream-like universe.

Life is almost perfect for William and Samantha as they live together in unmarried bliss until things unsaid and things agreed unravel their agreement.

‘Mixed’ scrutinises a racial divide that is supposedly cracked, bringing to light the fragments that still have the power to cut.

Is the absence of a leader possible in making a performance? Will you join us in this journey of discovery with Kai, Faye and Felicia as they venture into the undiscovered and the unchartered?

‘Off Kilter’ is a darkly comedic visual theatre production that explores mental wellbeing, identity, and feeling a little bit different from everyone else – not quite being yourself.

Tackling perceptions that ‘young people do not go through stress’ and misconceptions that ‘people who go for counseling are crazy’, ‘Grey Matters’ aims to better prepare and equip students with the ability to cope through periods of increased stress.

A father struggles with his autistic child and people’s ignorance.

Based on one of nature’s deadlist disasters that killed over 30,000 people, this piece explores the lives of the people most affected – those who lived at the heart of the disaster.

Come witness Faye and Kai becoming premier self-referential dancer-discussers as they reveal their creative process and blur the line between studio and stage, rehearsal and performance, and process and result.

‘She Ain’t Heavy’ follows Faye and Kai as they act on their combined curiosities, unfulfilled desires and discontent arising from their practice of Contact Improvisation (CI).

In a colourful display of their distinct personas, each performer takes the stage to express themselves individually. ‘GALA’ creates a space where ability is dictated not by one’s limitations, but by being the best that one can be. It is a testament to the beauty of the individual.

Born to an English father and a Malay mother, Leila ‘Anjung’ Keats is an unprecedented figure in local history and considered to be one of the pioneers of Malaya.

Using the architecture of Space 3 at 72-13 as a playground, the piece fits itself into a sequence that has its own internal logic and rhythm, revolving around the assembly and disassembly of images across space and time.

This new format comprises a series of three dance classes that ‘audiences’ must participate in. Curious? For $30, you can register for three dance classes which will teach you basic Lindy Hop steps while exposing you to the background of Lindy Hop and topics such as the performance of gender, race and sexuality in social dance and everyday life.

Working half way between concert and play, music and theatre, sound and meaning, Manuela Infante, Diego Noguera and Marcela Salinas explore electronic live processing and layering of voices to produce theatrical soundscapes and dispersed narratives about voices.

A 17-metre long ship traverses the hall, suspended. As if emerging from the ocean floor, it unloads hundreds of books sealed in beeswax. This is the imagined vessel steered by Dapunta Hyang Sri Jayanasa, the first Malay king of the 7th century Srivijayan Empire.

‘Because, The Night’ is a non-profit, second-hand bookshop that inhabits 72-13 for six nights, open between 10pm – 4pm; a space built for people who can’t sleep at night, a temporary home for insomniacs.

‘RE/PLAY Dance Edit’ explores the intent and meaning of re-production through bodily repetition of physical movements. The very foundation and meaning of dance is examined, performance as a format is subverted, and a fresh perspective on dance and performance emerges.

‘Incarnation of the Beast’ is a visceral confrontation of one’s most intimate demons, exploring the themes of obsession, ritual and tragedy, emoting sympathy with pleasure, discomfort with inexplicable excitement.


Showing 23 programmes
Writers’ Lab – Community Project: The Good Farmer (2018)

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Writers’ Lab – Community Project: Between Consciousness (2016)

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She Ain’t Heavy, She’s Reaching Into Space (Open Rehearsal) (April 2016)

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Writers’ Lab – Community Project: Three Inches Of Alive (2015)

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