With the new visual identity, T:>Works also released its new mission and direction.
Mission
Vision
Announcements
Highlights
With the new visual identity, T:>Works also released its new mission and direction.
Mission
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Mission
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Profiles
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A central empowerment of this international gathering will be the sharing of acts of deterritorialisation, enabling transformation and connecting with other multiplicities.
In a present time where giants fall and lines of power are redrawn, Lear Dreaming reimagines this tragedy on patriarchy and succession through the pristine philosophy of Japanese Noh theatre.
‘The Incredible Adventures of Border Crossers’ is a stunning combination of music, visual culture, live video, fashion, documentary and photo-performance that envisions communications in a not-so-distant future megapolis, a heterotopia of individuals.
In this witty satire of power, Shakespeare is put on trial for falsifying history and defaming Richard Sandaime, the Grand Master of Ikebana. Shakespeare is being prosecuted by none other than Maachan of Venice.
In this witty satire of power, Shakespeare is put on trial for falsifying history and defaming Richard Sandaime, the Grand Master of Ikebana.
Though in ‘Richard III’ the scheming king fights in vain to keep his crown, in this drama transported to Japan he’s vying to head up its traditional flower-arrangement world, and is accused of killing a rival for that position.
‘Archiving Dance’ is a project that explores the possibilities and methodologies of contemporary dance archives.
The annual TheatreWorks 24-Hour Playwriting Competition is here again. This 18th edition will be held at the Institute of Mental Health.
Welcome to the 19th edition of the 24-Hour Playwriting Competition Prize Presentation!
‘What the Body Remembers. Dance Heritage Today’ is the Akademie der Künste’s month-long special event series that includes an exhibition on 20th-century dance history showing archival collections, iconic photographs and film clips, accompanied by performances of more than 20 current dance productions that continue to write the legacy of contemporary modern dance.
At this Wonderful Weekend, let your kids be entertained at our Laser Tag Target Shooting and art & craft stations while you go on an aural journey with Inch Chua’s latest work in development, ‘Till The End Of The World And Back?’.
Participants write a completely new play in 24 hours, with various stimuli given throughout the time period. This year’s edition will take place at the historic Former Ford Factory.
The Observatory’s annual experimental/improvised music festival Playfreely returns with a new breath, a broadening of terrains, a call beyond the pressures of the incarcerating cult.
A Wonderful Weekend is a two-day event featuring workshops, staged readings, a stand-up comedy night and sale of handcrafted creations with an emphasis on resourcing and repurposing the old and seemingly mundane into spectacular gift ideas.
’Til The End Of The World, We’ll Meet Again In No Man’s Land is a multi-sensory performance inspired by Inch’s recent expedition to Antarctica.
The Writers’ Lab Month consists of Playwriting Workshops, Dramatised Readings, and the annual 24-Hour Playwriting Competition.
TheatreWorks Writers’ Lab presents N.O.W., a three-week public project. From 2019-2021, Noorlinah Mohd, established actress and arts educator, is appointed N.O.W.’s Artistic Director.
A hundred days after her husband’s death, things come to a head, with the devout woman’s two sons at each other’s throats over what it means to honour their father’s memory.
Jacob Teo and Joseph Teo, identical twins but born minutes apart. What happens when one child goes missing?
The play is a patchwork of twenty short scenes revolving around an unuttered question – what are human relationships made of?
‘Fever Room’ presents a theatrical experience that takes us far beyond the frontiers of cinema, and plunges us deep into the filmmaker’s dream-like universe.
Life is almost perfect for William and Samantha as they live together in unmarried bliss until things unsaid and things agreed unravel their agreement.
‘Mixed’ scrutinises a racial divide that is supposedly cracked, bringing to light the fragments that still have the power to cut.
Is the absence of a leader possible in making a performance? Will you join us in this journey of discovery with Kai, Faye and Felicia as they venture into the undiscovered and the unchartered?
‘Off Kilter’ is a darkly comedic visual theatre production that explores mental wellbeing, identity, and feeling a little bit different from everyone else – not quite being yourself.
Tackling perceptions that ‘young people do not go through stress’ and misconceptions that ‘people who go for counseling are crazy’, ‘Grey Matters’ aims to better prepare and equip students with the ability to cope through periods of increased stress.
A father struggles with his autistic child and people’s ignorance.
Based on one of nature’s deadlist disasters that killed over 30,000 people, this piece explores the lives of the people most affected – those who lived at the heart of the disaster.
Come witness Faye and Kai becoming premier self-referential dancer-discussers as they reveal their creative process and blur the line between studio and stage, rehearsal and performance, and process and result.
‘She Ain’t Heavy’ follows Faye and Kai as they act on their combined curiosities, unfulfilled desires and discontent arising from their practice of Contact Improvisation (CI).
In a colourful display of their distinct personas, each performer takes the stage to express themselves individually. ‘GALA’ creates a space where ability is dictated not by one’s limitations, but by being the best that one can be. It is a testament to the beauty of the individual.
Born to an English father and a Malay mother, Leila ‘Anjung’ Keats is an unprecedented figure in local history and considered to be one of the pioneers of Malaya.
Using the architecture of Space 3 at 72-13 as a playground, the piece fits itself into a sequence that has its own internal logic and rhythm, revolving around the assembly and disassembly of images across space and time.
This new format comprises a series of three dance classes that ‘audiences’ must participate in. Curious? For $30, you can register for three dance classes which will teach you basic Lindy Hop steps while exposing you to the background of Lindy Hop and topics such as the performance of gender, race and sexuality in social dance and everyday life.
Working half way between concert and play, music and theatre, sound and meaning, Manuela Infante, Diego Noguera and Marcela Salinas explore electronic live processing and layering of voices to produce theatrical soundscapes and dispersed narratives about voices.
A 17-metre long ship traverses the hall, suspended. As if emerging from the ocean floor, it unloads hundreds of books sealed in beeswax. This is the imagined vessel steered by Dapunta Hyang Sri Jayanasa, the first Malay king of the 7th century Srivijayan Empire.
A non-profit, second-hand bookshop that inhabits 72-13 for six nights, open between 10pm – 4pm; a space built for people who can’t sleep at night, a temporary home for insomniacs.
RE/PLAY Dance Edit explores the intent and meaning of re-production through bodily repetition of physical movements. The very foundation and meaning of dance is examined, performance as a format is subverted, and a fresh perspective on dance and performance emerges.
A visceral confrontation of one’s most intimate demons, exploring the themes of obsession, ritual and tragedy, emoting sympathy with pleasure, discomfort with inexplicable excitement.
Showing 39 programmes
Writers’ Lab – 24-Hour Playwriting Competition & Prize Presentation (2015)
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Writers’ Lab – 24-Hour Playwriting Competition & Prize Presentation (2016)
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Writers’ Lab – 24-Hour Playwriting Competition & Prize Presentation (2019)
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Writers’ Lab Month – Playwriting Workshops, Dramatised Readings, 24-Hour Playwriting Competition & Prize Presentation (2018)
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Writers’ Lab – Community Project: The Good Farmer (2018)
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Writers’ Lab – Community Project: Mixed; & Dramatised Reading (2017)
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Writers’ Lab – Community Project: Between Consciousness
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She Ain’t Heavy, She’s Reaching Into Space (Open Rehearsal) (April 2016)
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Writers’ Lab – Community Project: Three Inches Of Alive
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