With the new visual identity, T:>Works also released its new mission and direction.
Mission
Vision
Announcements
Highlights
With the new visual identity, T:>Works also released its new mission and direction.
Mission
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Mission
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Profiles
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This multidisciplinary presentation is an exploration of masculinity, self-identity, and the political issues surrounding them. It investigates the hypothesis of a man’s journey into his ego.
This cross-border collaboration aimed to create a sustained space for artists and local experts involved in cultural negotiation through contemporary art with the changing societies of the Barents Region.
Seams of Change illuminates a time when people generally turned to their immediate environment for what they needed. The focus is on the clothing of ordinary people, rather than on the special clothing of the rich or the royal.
This intensive three-week laboratory offers emerging artists the unique opportunity to develop work integrating video, theatre, performance, dance, sound, and text.
‘ The Global Soul’ is a meditation about travel – time travel, travels in our imagination, travels in our heart, travels in our memory, travels to find the meaning of life, travel for business, travel for leisure.
Based on Pol Pot’s massacre of the royal court dancers of Cambodia, this documentary performance traces the real life story of seventy-five year old Em Theay, master dancer of royal classical dance in Cambodia.
The Special Edition of the Flying Circus Project in the Yokohama Triennale is a school of politics which looks at an atypical gathering of ‘small’ politics and everyday activism in arts and culture.
A brand new play on love and romance for all die-hard romantics and cynics!
Your goal: to write a play within 24 hours. Your challenge: to overcome physical and mental exhaustion as you stay creative. Your inspiration: the fascinating newspaper environment of Singapore Press Holdings’ headquarters in Toa Payoh and its ever-changing facets.
Indonesian filmmaker Tintin Wulia will introduce animation techniques to Singaporean children between the ages of 10 to 11, marking the final stage of her international project, ‘The Adventures Of Flo And Kat’, which began in Allermohe, Germany in 2003, and travelled to Bajawa, Flores, Indonesia and Darwin, Australia in 2004.
‘The Revival of Phralak Phralam’ saw the excavation of three episodes from the tales of the Ramayana. ‘Mekong Diaries’ is a collection of documentaries created by the Laotian youths from the Children’s Cultural Centre who had the opportunity to work with filmmakers Wu Wen Guang (China), Angel Shaw (Philippines, New York) and Jason Lai (Singapore).
The political parable of the German playwright combined with the theatrical vocabulary of its Chinese culture of origin by the theatre artist from Singapore, promises a fascinating hybrid theatre: a different kind of Chinoiserie.
The Greenhouse: Dramatised Reading provide the platform for the new writing to be read and heard. Playwrights can gain new perspectives from the working with professional directors and actors, and even engage in discussion with the audience. With the support of Singapore Press Holdings, Theatre Works Writers* Laboratory desires to continue and further its pioneering
A moving drama about how two women cope when a ‘gentleman’ enters into, and threatens to break apart, their fifteen-year relationship.
The second in a continuation of a series of experimental music/sound art events presented by Singapore Sonic Arts Collective (sporesac).
The Global Soul is a meditation about travel – time travel, travels in our imagination, travels in our heart, travels in our memory, travels to find the meaning of life, travel for business, travel for leisure.
The Global Soul is a meditation about travel – time travel, travels in our imagination, travels in our heart, travels in our memory, travels to find the meaning of life, travel for business, travel for leisure.
In conjunction with the performance of Geisha, 72-13 has invited anthropologist and author Liza Dally to Singapore to share her experience as a geisha.
Held at the rustic seaside Aloha Resorts at Changi, the challenge is on again to stimulate one’s heart and mind to produce a play within 24 hours.
Cat Hope focuses on the relationship between sound and image, and the notion of the artist and audience as voyeurs.
Providing an insight into Diaspora as well as the work of various artists in the production, 72-13 presents a series of conversations to introduce audiences to the work and the research for this new production.
The Continuum: Beyond The Killing Fields is based on the real life story of seventy-five year old Em Theay, master dancer of royal classical dance in Cambodia, who survived the scourge of the Khmer Rouge.
Janos Fodor invites the local artists’ community to an open call for artists, to be part of the ‘SingaporeLounge’, while Lise Nellemann collaborates with local artists to explore alternative approaches to writing (art) history.
Through this story of a particular woman in a particular time and place, it talks about loss, love, and mother-daughter relations in an open way.
On stage, the two dancers, Jerome Bel and Pichet Klunchun, reconstruct a theatrical report of their experience working together.
Bringing together participants from all walks of life with one common objective — to shoot and to edit — this competition brings about the birth of aspiring filmmakers, among which are teachers, designers, students and IT professionals.
Future Of Imagination 4 is a curated performance art gathering of artists whose works have questioned, or attempted to share a continuing interest in the cultural constructs of identity in the global situation and current trends of contemporary art practice.
This initiative hopes to create a theatrical experience for the community by bringing new writing from the Writers’ Lab into the community.
A lab that looks into the craft of performance art.
A platform for people to meet, share, show, and tell, each ROJAK sees 10 creators sharing their work within 10 minutes and with 10 slides.
Rirkrit Tiravanija, one of the most seminal and influential contemporary artists working today, gave a public lecture at 72-13 on 7 Feb 2007 as part of his residency with LASALLE College of the Arts working with postgraduate visual arts students.
Studio Prive is a project for young fashion designers who wish to refine their signature style and develop their skills as independent designers.
This year marks a precedent for the competition – the competition has broadened its outreach to the larger community with the Writers’ Lab partnering South East CDC as part of the South East District Arts Festival 2008 – ARTXpressions and SHINE 2008.
Singapore artist Ho Tzu Nyen shares on his creative journey on writing and directing first feature film
The play’s central question was whether moral integrity was possible in this world, or another.
Based on Pol Pot’s massacre of the royal court dancers of Cambodia, this documentary performance traces the real life story of seventy-five year old Em Theay, master dancer of royal classical dance in Cambodia.
Headed by Robin Loon, the Writers’ Lab aims to continually provide new and emerging playwrights the opportunities to hone their creative writing skills.
‘Journey to the Moon’ explores an urban myth that, in 1957, a group of villagers from Turkey’s remote Black Sea coast were conned by a local politician into believing he would build a spaceship factory in cooperation with the US in return for their votes.
Invisible City chronicles the ways people attempt to leave a mark before they — and their histories — disappear.
Spektr! is a unique performance in which tactical media workers conduct an audio-visual ‘mapping’ of the electromagnetic spectrum to create sound and video landscapes.
The Marina Barrage hosts this year’s annual 24-Hr Playwriting Competition. Get all your creative juices flowing as you nestle in the amazing architecture and technology that is the Marina Barrage for 24 hours.
The Continuum: Beyond The Killing Fields is based on the real life story of seventy-five year old Em Theay, master dancer of royal classical dance in Cambodia, who survived the scourge of the Khmer Rouge.
Conceived by Mark Lim, this installation is an attempt to materialise Woods&Woods designer Jonathan Seow’s wish to link the past, present and future of fashion through the reinterpretations of used clothing.
‘Shapes Of Sleep’ emanates a great calmness – it is tender, pacifying, and very contemplative. It subtly says a lot about the vulnerability of bodies without having to expose the wounds.
72-13 Offsite is an alternative arts laboratory space converted from a former squash court.
An immersive and interactive multi-channel video installation filmed on location in Shenton Way, the heart of Singapore’s Central Business District.
The themes of TRAVELOGUE are memories, local wisdoms, and futureness. FCP 2007 brings together artists from different cultures, disciplines and politics.
An ‘exhibition’ project with no photographs, no sculptures, no installations, no videos – zero things, not one stable object, but artists and areas occupied by gestures, projects, bodies, stories, and dances, which everyone will choose to imagine.
RPM is a dramatic musing on collision – what happens when lives, bodies, and memories plow into one another?
Welcome to an academic lecture about goldfish, with total disregard to the narrow-minded formalities that hinder today’s intellectuals in bringing the fruits of their truly expanding and illuminating work to the wider public.
Perhaps most provoking is the love-hate relationship between Singapore and the shrine.
Combining dance, movements, images, and the human body for a full sensory experience, Dance Dance Dance promises to excite you with its provocative charm.
An interdisciplinary collaboration that crosses time and space, reappraising the Bard and Ming Dynasty’s Tang Xian Zu, two masterful playwrights who lived in two different cultures at the same time, who died in the same year (1616), but who were unaware of each other’s existence.
INTERFERENCE explores the concept of listening to the noise of history – moments that are insignificant in our collective memory.
IMPETUS explores how insignificant events in our history are being recorded, forgotten and fabricated.
Drift Net taps into a man’s journey as he ventures into his second life on the internet, drifting between desires and dreams.
A weekend of video, electronic music, and performances by French and Vietnamese artists, specially curated by Wonderful District of Ho Chi Minh City (HCMC).
What are our relations to the rest of the world? Are we strangers or are we family?
Karen Kandel will weave together stories from geishas, maikos, clients, their wives, okamisans, offspring of geishas, and anthropologists. Joining her onstage will be female impersonator and kabuki dancer Gojo Masanosuke who will dance the female onnagata role, drawing from the age-old repertory of kabuki and nihon buyoh, for the geisha is the tragic heroine of many a kabuki play.
A sweeping, panoramic docu-performance that explores the diasporic phenomenon of the human spirit in time and space, celebrating humanity and human tenacity.
This first-time collaboration between Benoit LaChambre and Ong Keng Sen challenges the parameters of contemporary dance by working with narrative, the grand epic, a personal response to parallel dream universes, the identities of a revered Asian text, and the outsider.
A reinvention of an ancient Chinese myth that tells of the mortals and the gods who originally lived in eternal sunlight., The Silver River is a juxtaposition of Chinese opera traditions with Western sensibilities through its score and libretto.
Diaspora is a sweeping, panoramic performance exploring memory, migration, assimilation and the triumph of the human spirit, an intricate layering of music, video, and live story-telling.
Inspired by the 1951 film adaptation of Tennessee Williams’s A Streetcar Named Desire, this is a soul-stimulating post-modern spectacle that melds film/performance, race, gender and sexuality.
In a museum, time is confused. What looks old may be a reproduction, what looks new is actually a stained glass window from 1887. 120 will attempt to recast the National Museum of Singapore as a host of luminescent voices.
New York-based performer Karen Kandel weaves together stories from geishas, maikos (apprentice geishas), clients, their wives, okamisans (mama-sans), offspring of geishas and anthropologists, giving life to the secret world of the geisha.
‘like the cat…’ challenges the parameters of contemporary dance by working with narrative, the grand epic and a personal response of parallel dream universes, the identities of a revered Asian text and the outsider.
For the 2005 Singapore Season, acclaimed artist Ong Keng Sen presents an up-to-the-minute survey of South East Asian contemporary arts at the ICA London.
Showing 68 programmes
Rizman Putra Residency — The Elegy Of A Man And His Weapon Of Choice (The Hyperbolic Alpha Male)
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Seams Of Change: Clothing and the Care of the Self in Late 19th- and 20th-Century Cambodia
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The Flying Circus Project (Special Edition 2005, Yokohama): The School of Politics
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Writers’ Lab: 24-Hour Playwriting Competition & Singapore Young Dramatists Award (2005)
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The Continuum Asia Project – Excavating Cultures And Memories (2005)
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Writers’ Lab: Singapore Young Dramatists Award & 24-Hour Playwriting Competition (2006)
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Jonathan Seow Residency — Resuscitation: Call, Submission, Installation & Fashion Presentation
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The Flying Circus Project – Platform 01: Expo Zero (Musee de la Danse) (2009)
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like the cat sitting on the edge of an ocean of milk, hoping to lap it all up
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