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With the new visual identity, T:>Works also released its new mission and direction.
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T:> Archive
Timeline
1985—89
1990—94
1995—99
2000—04
2005—09
2010—14
2015—19
Discover
Showing 22 programmes for 2005—09
The Flying Circus Project – Platform 01: Expo Zero (Musee de la Danse) (2009)
An ‘exhibition’ project with no photographs, no sculptures, no installations, no videos – zero things, not one stable object, but artists and areas occupied by gestures, projects, bodies, stories, and dances, which everyone will choose to imagine.
RPM (Revolution-Per-Minute)
‘RPM’ is a dramatic musing on collision – what happens when lives, bodies, and memories plow into one another?
Goldfish Is Meant For Dying
Welcome to an academic lecture about goldfish, with total disregard to the narrow-minded formalities that hinder today’s intellectuals in bringing the fruits of their truly expanding and illuminating work to the wider public.
Reservoir
Perhaps most provoking is the love-hate relationship between Singapore and the shrine.
Dance Dance Dance
Combining dance, movements, images, and the human body for a full sensory experience, ‘Dance Dance Dance’ promises to excite you with its provocative charm.
Awaking
An interdisciplinary collaboration that crosses time and space, reappraising the Bard and Ming Dynasty’s Tang Xian Zu, two masterful playwrights who lived in two different cultures at the same time, who died in the same year (1616), but who were unaware of each other’s existence.
VISTA Lab 2.0 – Interference
INTERFERENCE explores the concept of listening to the noise of history – moments that are insignificant in our collective memory.
VISTA Lab 1.0 – Impetus
IMPETUS explores how insignificant events in our history are being recorded, forgotten and fabricated.
Drift Net
‘Drift Net’ taps into a man’s journey as he ventures into his second life on the internet, drifting between desires and dreams.
A Wonderful Weekend
A weekend of video, electronic music, and performances by French and Vietnamese artists, specially curated by Wonderful District of Ho Chi Minh City (HCMC).
Play On Earth
What are our relations to the rest of the world? Are we strangers or are we family?
like the cat sitting on the edge of an ocean of milk, hoping to lap it all up (2006)
This collaboration between Benoit LaChambre and Ong Keng Sen challenges the parameters of contemporary dance by working with narrative, the grand epic, a personal response to parallel dream universes, the identities of a revered Asian text, and the outsider.
Geisha (2006)
Karen Kandel will weave together stories from geishas, maikos, clients, their wives, okamisans, offspring of geishas, and anthropologists. Joining her onstage will be female impersonator and kabuki dancer Gojo Masanosuke who will dance the female onnagata role, drawing from the age-old repertory of kabuki and nihon buyoh, for the geisha is the tragic heroine of many a kabuki play.
Diaspora (2006)
A sweeping, panoramic docu-performance that explores the diasporic phenomenon of the human spirit in time and space, celebrating humanity and human tenacity.
like the cat sitting on the edge of an ocean of milk, hoping to lap it all up (2005)
This first-time collaboration between Benoit LaChambre and Ong Keng Sen challenges the parameters of contemporary dance by working with narrative, the grand epic, a personal response to parallel dream universes, the identities of a revered Asian text, and the outsider.
The Silver River (2001)
A reinvention of an ancient Chinese myth that tells of the mortals and the gods who originally lived in eternal sunlight., ‘The Silver River’ is a juxtaposition of Chinese opera traditions with Western sensibilities through its score and libretto.
Diaspora (2009)
‘Diaspora’ is a sweeping, panoramic performance exploring memory, migration, assimilation and the triumph of the human spirit, an intricate layering of music, video, and live story-telling.
Vivien & The Shadows
Inspired by the 1951 film adaptation of Tennessee Williams’s “A Streetcar Named Desire”, ‘Vivien & The Shadows’ is a soul-stimulating post-modern spectacle that melds film/performance, race, gender and sexuality.
120
In a museum, time is confused. What looks old may be a reproduction, what looks new is actually a stained glass window from 1887. ‘120’ will attempt to recast the National Museum of Singapore as a host of luminescent voices.
Geisha
New York-based performer Karen Kandel weaves together stories from geishas, maikos (apprentice geishas), clients, their wives, okamisans (mama-sans), offspring of geishas and anthropologists, giving life to the secret world of the geisha.
like the cat sitting on the edge of an ocean of milk, hoping to lap it all up
‘like the cat…’ challenges the parameters of contemporary dance by working with narrative, the grand epic and a personal response of parallel dream universes, the identities of a revered Asian text and the outsider.
Insomnia@ICA, The Singapore Season, London
For the 2005 Singapore Season, acclaimed artist Ong Keng Sen presents an up-to-the-minute survey of South East Asian contemporary arts at the ICA London.
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The Flying Circus Project – Platform 01: Expo Zero (Musee de la Danse) (2009)
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like the cat sitting on the edge of an ocean of milk, hoping to lap it all up (2006)
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Year:> 2021
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like the cat sitting on the edge of an ocean of milk, hoping to lap it all up (2005)
Type:> Performance
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Year:> 2021
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like the cat sitting on the edge of an ocean of milk, hoping to lap it all up
Type:> Performance
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Year:> 2020
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