With the new visual identity, T:>Works also released its new mission and direction.
Mission
Vision
Announcements
Highlights
With the new visual identity, T:>Works also released its new mission and direction.
Mission
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Mission
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Profiles
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‘The Continuum: Beyond The Killing Fields’ is based on the real life story of seventy-five year old Em Theay, master dancer of royal classical dance in Cambodia, who survived the scourge of the Khmer Rouge.

‘Marco Polo’ is about two blind friends who are reacquainted after death. They quickly discover that they are both still blind and proceed to attempt to figure out if they ended up in Heaven or Hell.

Through classical and contemporary dance styled in the format of a high-energy competition and reality TV show, ‘Nay Nai’ sets out to investigate how people today strive to reach the apex of power and influence.

100 ensemble members of LIFT invite you to an evening of fun, laughter, games, music, and storytelling, where happiness is the centre of our conversations.

An interactive experience about the community, by the community, for the community. A board game in which breaking the rules might be the best way to play.

‘Love Love Remote Control’ is a multidisciplinary work which speaks about human evolution with regards to society’s eating habits.

What would you find by looking through a prism of life? Would there be answers to the perennial questions of love, hope, and ultimately, happiness?

Aside from the alphabetical coincidence, all the stories reflect the impossibility of human relationships and the impossibility of dialogue. This performance will take the form of a narration.

For ‘Irregular Hexagon’, Arjona has chosen to present four works, three of which were done in 2008 when in residency at the Watermill Centre in New York, Robert Wilson’s laboratory for performance.

In the tradition of Duchamp’s ‘Bolte-en-valise’, ’Nowhere Man’ appears to be a small office tucked behind a room divider with a desk with its drawers open, a chair, a bed, a box, and a bag – most of the elements that Mateo created for installation travel, inside the suitcase which is shown alongside them.

‘National Broadway Company’ reflects on the search for Singapore identity that was prevalent in the first musicals and gives us a glimpse into the future.

In a present time where giants fall and lines of power are redrawn, ‘Lear Dreaming’ reimagines this tragedy on patriarchy and succession through the pristine philosophy of Japanese Noh theatre.

Inspired by John Cage’s ‘Lecture On Nothing’, this performance is a recitation and physical improvisation of Cage’s text, guided by his principles of composition and writing.

‘The Diary Of Alice’ is a playful artistic exploration of ‘Alice’ and the fascinating universe of identities – fact, fiction, or otherwise – that the name holds. ‘Alice’ becomes an open canvas for each guest to scribble their wildest imaginations, desires, memories, and aspirations of who ‘Alice’ can be.

Fusing dioramas, dramaturgy, and installation art, the performance unfolds over decades within a flat.

The Writers’ Lab aims to provide a hotbed for new Singapore plays and cultivate both emerging and established writers.

This one-woman play stirs the voice of Safiah to life like a perfect dish of serunding.

Conceived and curated by TheatreWorks’ Ong Keng Sen, the worlds of entertainment will be evoked though a revue of circus, dance, drama and art! A setting of shining colours, unique patterns and enchanting music is set to delight Night Festival goers. The heart of the night life, ‘Putho!’, a novel circus show created by Cambodian artists, will

‘Retrospective’ is conceived as an exhibition – a choreography of intimate movements and conversations, where visitors and performers experience how we use, consume and produce time.

The 8th edition of ‘The Flying Circus Project’ focuses on Myanmar artists and contemporary expressions including performance and films, reflecting on the themes of memory, trauma and transition.

Excavated from over 40 hours of oral history interviews from the National Archives juxtaposed with seminal texts and plays of Kuo, ‘Goh Lay Kuan & Kuo Pao Kun’ presents an intimate portrait of this pioneering arts couple of Singapore.

‘Fear Of Writing’ portrays a playwright’s creative handicap – the writer’s block – under intense anxiety and scrutiny, uncovering the existentialism of self-censorship and freedoms in Singapore.

Evolution is at the heart of TheatreWorks, one of Singapore’s longest running theatre companies. For its landmark 25th year, it celebrates the ties that have shaped its journey so far in the ‘Friends’ Season – Tenderness For The Future’.

