Key WordsAmbivalence, Ancient Cultural Treasures, Ancient Technologies, Animation, Appropriation Without Guilt, Art Collectives, Art History, Art House Singapore, Bangkok, Borders, Boundaries of Internet Connectiveness, Buddha, Cambodian Classical Court Dance, Club Nights, Commodification of Self, Confluence of Traditional and Contemporary, Contemporary Art Practices, Corpses, Creative Cities, Crises of Identity Formation, Cultural Transmissions, Deliberate Naiveté, Diversities, Documentary Film, Documentary Theatre, Drag Queens, Entertaining the Malay-speaking Countries of Southeast Asia, Exhibition, Fantasy, Female Desire, Film Retrospective, Gay Activism, Gender, House of World Cultures Berlin, Human Rights, Indie Bands, Individualised Expressions, Insomniac Communities, Installations, Institute of Contemporary Arts London, Internet and Geography, Ironic Refusal to Comment, Irreverence to Genre, Jakarta, Jet Lag, Journalism and Film, Khmer Rouge, Killing Fields, LGBTQIA+, Literature, Live Art, Mapping Physical Location and Cyberspace, Mekong Region, Migrant Workers, Mobility, Multiplicities, Music, Music Videos, Mutations, Neoliberal Economies, Networks, New Generation of Artists, Objectification and Empowerment, Orientalised Women, Performance, Phnom Penh, Pink Dollar, Pol Pot, Political Acts of Personal Freedoms, Politics of Fun, Politics of Land Reclamation, Politics of Pop, Pop Icons, Pop Media, Problematic Translations, Public Playground, Queer Culture, Racism, Repetitions and Difference, Resisting Globalisation, Savvy Eccentricities, Self Alienation, Self Invention, Self Obsession, Sexualities, Shifting Sea Borders, Singapore, Singapore Season, Southeast Asian Contemporary Art, Southeast Asian Studies, Talks, Technology and Art, Tenth Dancer, Territorial Expansion, The Global Soul, Transcending Culture of Shame, Transcultural Performance, Transdisciplinary Festival, Translocating Contexts, Traumatised Bodies, Travel, Urbanisation, Video Art as Community Practice and Social Discourse, Violence, Visual Culture, War Crimes, Wired Existence, Year Zero,
Insomnia 48 is a non-stop 48-hour event of performance, clubbing, music, happenings, videos, installations, ateliers, workshops and social interactions. The audience is invited to join the completely free event from Friday 8PM to Sunday 8PM.
‘Insomnia 48’ also happens to be the opening event of SENI! Make the Arts House your new home for 48 hours, dream new dreams, and be part of a bold, relaxed community.
As the hours unfold, the myriad colours shift from fashion to hard-core tattoo artists – Jogjakarta’s Venza and The House of Natural Fibre – who generate soundscapes through electromagnetic waves while tattooing (not for the faint-hearted!).
Come midnight, visit the eerie video retrospective of Chiang Mai’s Araya Rasdjarmrearnsook who reads to corpses in mortuaries. As the first rays of sunlight appear, the video exhibition will fade away.
Make your own music videos with Singapore’s very own Kill Your Television! Record your own song or choose from a template of indie music. You will be taught how to sing the songs, then you will be filmed in your fantasy environment. Chill out in the early morning hours to your own music video.
Stumble into a river cruise or yoga at six in the morning, and be rewarded at breakfast with nasi lemak and steaming hot coffee.
Follow special guests from Jogjakarta, Teater Garasi/Jompet, as they end their trilogy of performances in the sunset.
At 8 pm on Sunday, join all artists for the Insomnia Banquet by the Singapore River with Bandung’s video and sound artists Biosampler who not only creates total environments, but also makes very cool music videos.
Everybody is invited.
Occupy the Arts House – it is your house for 48 hours. For once, the public is king in Insomnia 48.
Click on thumbnails to view high resolution files.
Nachtgesichter: Visions Of The Night
The Continuum: Beyond The Killing Fields
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