Le Temps Scellé was first performed at the Lyon Biennale in 2010. The movement inhabiting the bodies transports them towards an overwhelming question – who or what, on the brink of abandon, is able to resist? Up to what point is a man allowed or capable of voluntarily disappearing? The momentary feeling of living a moment freed from its fears and physical constraints, while abandoning oneself to become the ‘whole’, is explored in the work. This piece assumes a new ceremony, creating an impressive and spellbinding performance.
Le Trait Solos is a two-part performance that allows the audience to experience the emptiness that surrounds oneself, heightening the sense of loneliness. For Nacera, the starting point of a solo has not been about putting a being on stage to ‘tell’ or to ‘perform’, but rather, to offer the most radical interpretation of loneliness from oneself. It is a work that explains precisely the final act of being alone in the world.