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Programme Details
Key Words
Activism, Appropriation, Arts Practices, Asian Theatre, Biannual, Cambodia, Codification, Collaboration, Conceptual Art, Contemporary Art, Contemporary Asia, Contemporary Dance, Contemporary Music, Contemporary Performance, Contemporary Ritual, Contemporary Theatre, Contextualization, Creative Strategies, Critical Reflexivity, Crossing Borders, Dance Studies, Decolonisation, Deconstructing the Exotic, Deconstruction, Dialogue, Differences, Discourse, Documentary Film, East Asia Studies, Electronic Music, Encounter, Ethnic Minorities, Exhibition, External Form, Flying Circus Project, Histories, Hybridity, Improvisation, India, Indigenous Land Rights, Indigenous Struggle, Indigenous Writing System, Individual, Installation, Internal Landscape, Intersectionality, Interweaving, Italy, Juxtaposition, Laboratory, Literary Arts, Live Art, Malaysia, Multiple Realities, Myanmar, Nanyang Academy of Fine Arts, Negotiation, New Asia, New Millennium, Nigeria, Oral History, Palestine, Performance, Philosophy, Pictograms, Politicization, Politics Of Transcultural Processes, Reconstruction, Reinvention Of Tradition, Research, Screening, Secular Cultural Elements, Sharing, Sight, Singapore, Sound Art, South Korea, Southeast Asia Studies, Spiritualities, Switzerland, Tradition And Change, Tradition As Contemporaneous Expression, Traditional And Contemporary Continuum, Traditional Cultures, Traditional Performing Arts, Transdisciplinary Processes, Urban Artists, Video Art, Wonder, Workshop, Younger Generation Artists Trained In Traditional Arts,About
When land-bound animals begin to fly, reaching for the unknown
An unexpected transformation, rooted but free
The same animal but different
Man’s quest for flight continues
Circus – the antithesis of museum
Raw, exciting, dizzying, robust
Dangerous magic
The sacred and the profane co-exist
Theatre of the people
Hanuman, monkey, leaps into flight
Tags
Genre:>
Ancient Arts
,
Ancient Technology,
Arts Practices,
Asian Dance,
Asian Theatre,
Classical Dance,
Collaboration,
Community Practice,
Contemporary Art,
Contemporary Dance,
Contemporary Music,
Contemporary Performance,
Contemporary Theatre,
Cultural Exchange,
Dialogue,
Discourse,
Discussion,
Fusion,
Geopolitics,
Improvisation,
Intergenerational Studies,
Intersectional Art,
Intersectional Laboratory,
Jamming,
Laboratory,
Learning,
Legend,
Live Art,
Mentorship,
Movement,
Performance Art,
Process Presentation,
Reinterpretation,
Research and Development,
Social Experiment,
Southeast Asia Theatre,
Technology and Art,
Traditional Performing Arts,
Transcultural Performance,
Transcultural Processes,
Transcultural Theatre,
Transdisciplinary Performance,
Transdisciplinary Processes,
Transdisciplinary Theatre,
Urbanism,
Video Art,
Workshop,
Younger Generation,
Location:>
Date:>
People:>
Concept/Director:
Ong Keng Sen
Participants: ,
. Ahn Pil Yun (Seoul)
,
Aida Redza (Kuala Lumpur),
Andy Lim (Singapore),
Bernard Chauly (Kuala Lumpur),
Casey Lim (Singapore),
Claire Wong (Singapore),
Daw Ma Ma Naing (Mandalay),
Dominic Wan (Singapore),
Elaine Cheah (Singapore),
Gani (Singapore),
Goi Hoe Chin (Singapore),
Gumarang Sakti (Jakarta),
Gusnisam (Jakarta),
Heisnam Tomba (Imphal),
Hong Sin-cha (Seoul),
Ian Tan (Singapore),
Jang Jae Hyo (Seoul),
Janice Koh (Singapore),
Jeremiah Choy (Singapore),
Jhony Anwar (Jakarta),
Kang Kwon-soon (Seoul),
Krishen Jit (Kuala Lumpur),
Lee Jin Sook (Seoul),
Leonard Lee (Singapore),
Lim Fei Shen (Singapore),
Ling Poh Foong (Singapore),
Lim Yu Beng (Singapore),
Loong Seng Onn (Singapore),
Low Kee Hong (Singapore),
Madhu Margi (Trivandrum),
Mark Chan (Singapore),
Matthew Ngui (Singapore),
Maya Rao (New Delhi),
Tiken Singh (Imphal),
Nan Nyung Shein (Rangoon),
Ong Eng Chye (Singapore),
Park Hwa Young (Seoul),
Peeramon Chomdhavat (Bangkok),
Pitrik (Jakarta),
Rosita Ng (Singapore),
Rustom Bharucha (Kolkata),
Sesy Liana Ali (Singapore),
Sharon Lim (Singapore),
Suhaila Sulaiman (Singapore),
Shashadhar Acharia (New Delhi),
Suwita Yanti (Jakarta),
Tang Fu Kuen (Singapore),
U Chit Oo Nyo (Rangoon),
U Mya Han (Mandalay),
U Than Aung (Mandalay),
U Zaw Min (Rangoon),
. Commissioned By:>
T:>Works
,
. Produced, Managed or Presented By:>
T:>Works
,
. Printed Matter
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