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˅ Hide
Programme Details
The Flying Circus Project (2004)


Key Words

Activism, Appropriation, Arts Practices, Asian Theatre, Austria, Belgium, Biannual, Cambodia, Canada, Codification, Collaboration, Conceptual Art, Contemporary Art, Contemporary Asia, Contemporary Dance, Contemporary Music, Contemporary Performance, Contemporary Ritual, Contemporary Theatre, Contextualization, Creative Strategies, Critical Reflexivity, Crossing Borders, Dance Studies, Decade, Decolonisation, Deconstructing the Exotic, Deconstruction, Dialogue, Differences, Discourse, Documentary Film, East Asia Studies, Electronic Music, Encounter, Ethnic Minorities, Exhibition, External Form, Flying Circus Project, France, Histories, Hybridity, Improvisation, Indigenous Land Rights, Indigenous Struggle, Indigenous Writing System, Individual, Indonesia, Installation, Internal Landscape, Intersectionality, Interweaving, Italy, Juxtaposition, Laboratory, Lebanon, Literary Arts, Live Art, Malaysia, Multiple Realities, Myanmar, Nanyang Academy of Fine Arts, Negotiation, New Asia, New Millennium, Nigeria, Oral History, Palestine, Performance, Philosophy, Pictograms, Politicization, Politics Of Transcultural Processes, Reconstruction, Reinvention Of Tradition, Research, Screening, Secular Cultural Elements, Sharing, Sight, Singapore, Sound Art, Southeast Asia Studies, Spain, Spiritualities, Switzerland, Thailand, The Arab World, The Black Box, The Netherlands, Tradition And Change, Tradition As Contemporaneous Expression, Traditional And Contemporary Continuum, Traditional Cultures, Traditional Performing Arts, Transdisciplinary Processes, United Kingdom, Urban Artists, Video Art, Wonder, Workshop, Younger Generation Artists Trained In Traditional Arts,


About

Welcome to the 10th anniversary of the Flying Circus Project (FCP) – ‘seeing with foreign eyes’. For the first time, the FCP will see Asian artists interacting with artists from Europe and the Arab world. Come to the thinking person’s arts festival. This year, the FCP opens its doors to audiences, art students, and artists by increasing the public events of this well-known artist workshop. In the continuing tradition of the FCP, all events are free.

The focus for the fifth FCP includes literary arts, philosophy and visual art. Over 50 participants, mostly artists, thinkers and cultural workers, will gather in Singapore for two weeks to meet and dialogue. This sharing of practice will involve performances, talks, conversations, discussions, exhibitions and screenings.



Tags



Location:>
The Black Box, Nanyang Academy of Fine Arts, Singapore, Singapore
/

Date:>
3 - 18 December 2004
/

People:>
Concept & Curator: Participants: Producer:
Tay Tong.
Production Management:
Natalie Lim, Vivian Lee.
Technical Management:
Abhilash Anselm Menon, Alan Lee, Cynthia Sim, Dawn Lim, Goh Zhi Ling, Helmi Fita, Huang Weijie, Mohd Sofian B Roslan, Ng Huiling, Ooi Tong Wei, Peh Yin Ren, Vanessa Ho, Vivienne Tseng.
Stage Management:
Grace Low, Zizi Azah bte Abdul Majid.
Archivists:
Chew Keng Kiat, John Lee, Liao Liting, Michael Tay, Raymond Ee, Vanessa Thomas.
Promotion & Publicity:
Melissa Anne Manuel, Sarah Moey.
Collaterals:
Laksmi Pamuntjak, Satria Nurbambang.
Hospitality:
Janice Seah, Scott Dominic Peterson.
Front of House:
Yeo Siak Ling.

Commissioned By:>

Produced, Managed or Presented By:>



Printed Matter

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Related Programmes



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The Flying Circus Project (2004)


Genre:> Arts Practices
,
Asia-Europe Collaboration
,
Collaboration
,
Contemporary Art Practice
,
Cultural Exchange
,
Dialogue
,
Discourse
,
Discussion
,
Exhibition
,
Film
,
Intersectional Art
,
Intersectional Laboratory
,
Jamming
,
Laboratory
,
Research and Development
,
Talk
,
Transcultural Performance
,
Transcultural Processes
,
Transdisciplinary Performance
,
Transdisciplinary Processes
,
Younger Generation
,

Year:> 2021


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