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1985—89
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Key Words
Capital, Counter-Myths, Deconstruction, Gautama Buddha, Gender, Globalisation, Illumination, Interactive Chat Studio, Journey, Lebanese War, Migration, Mobility, Parody, Pico Iyer, Politics, Travel Writing, Travelogue, Writing-as-Dance,About
We are experiencing a tremendous and rapid change in the meaning of arts and culture. While migration and globalisation are fundamentally transforming the concepts of a homogenous national culture, art and culture and being charged with new political meanings. Alongside the conservative concepts of national, ethnic, or religious identity, new stories are emerging – the counter-myths, which are based on the lives of people, their specific experiences, with respect for their individual truths. These perspectives and stories form the basis of contemporary performing arts, and In Transit is devoted to them.
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Related Programmes
The Flying Circus Project – Platform 01: Expo Zero (Musee de la Danse) (2009)

Genre:> Collaboration
,
Dance,
Dialogue,
Discourse,
Discussion,
Fusion,
Improvisation,
Laboratory,
Learning,
Live Art,
Movement,
Participatory Performance,
Research and Development,
Transcultural Processes,
Transdisciplinary Processes,
Younger Generation,
Year:> 2009
,
View details
Pichet Klunchun And Myself

Genre:> Classical Dance
,
Collaboration,
Contemporary Dance,
Dialogue,
Year:> 2006
,
View details

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The Continuum: Beyond The Killing Fields

Genre:> Contemporary Art
,
Contemporary Performance,
Contemporary Theatre,
Dance,
Dialogue,
Installation,
Intersectional Art,
Lecture Performance,
Participatory Performance,
Transdisciplinary Performance,
Year:> 2006
View details
Showing 1 programmes
In Transit (2003)

Genre:> Contemporary Art
,
Contemporary Performance,
Contemporary Theatre,
Dance,
Dialogue,
Installation,
Intersectional Art,
Lecture Performance,
Participatory Performance,
Transdisciplinary Performance,
Year:> 2021
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