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Programme Details
Sandaime Richard (November & December 2016)


Key Words

Adaptation, Author-Character Conflict, Courtroom Drama, Defamation Charge, Historical Revisionism, International Collaboration, Murder Trial, Power Struggle, Satire,


About

In this witty satire of power, Shakespeare is put on trial for falsifying history and defaming Richard Sandaime, the Grand Master of Ikebana. Shakespeare is being prosecuted by none other than Maachan of Venice. Maachan, who has forever been condemned by the writing of Shakespeare, pits wits against the writer. Who will win?

Sandaime Richard is written by Hideki Noda, described by revered Japanese director Yukio Ninagawa as ‘the most talented playwright of contemporary Japan’. Noda, inspired by Yushi Odashima’s translation of Shakespeare’s “Richard III”, effortlessly parallels the Wars of the Roses in England with the intrigue in an ikebana clan in Japan. From Noda’s script, Festival Director Ong Keng Sen creates an extravaganza of comic turns with his signature style of juxtaposing Asian traditional performance forms, including the modern tradition of Takarazuka, a popular all-female entertainment revue. Inspired by William Shakespeare’s “Richard III” but very different, Sandaime Richard will open in Singapore this September before heading to Tokyo Metropolitan Theatre for a two-week run and later embarking on a Japanese tour of four cities.

In the year that celebrates the 400th death anniversary of William Shakespeare, Singapore International Festival of Arts 2016 takes a spin on the international multitude of productions commemorating this iconic playwright of all times. In Ong’s production, games of gender surround Shakespeare, a male writer besieged by ‘female’ characters. In comic turn after comic turn, Ong casts rising star, kabuki onnagata (female impersonator), Kazutaro Nakamura as Richard Sandaime.



Tags



Location:>
Tokyo Metropolitan Theatre, Tokyo, Japan
/
Kumamoto Prefectural Theater, Kumamoto, Japan
/
May Theater, Osaka, Japan
/
The Museum of Art, Kochi, Japan
/
Fukuoka City Higashi Ward Center Namiki Hall, Fukuoka, Japan
/

Date:>
26 November - 4 December 2016 (Tokyo)
/
8 December 2016 (Kumamoto)
/
11 December 2016 (Osaka)
/
14 December 2016 (Kochi)
/
17 December 2016 (Fukuoka)
/

People:>
Director: Writer Inspired by Yushi Odashima's translation of William Shakespeare's ‘Richard IlI’: Set Design: Lighting Design: Costume Design: Video Design: Music Composition/Sound Design: Hair and Make-up Design: Associate Director: Performers: Dramaturg: Production Manager:
Kumi Odaira.
Stage Manager:
Zach Kennedy, Rie Yamanuki.
Assistant Stage Managers:
Daijiro Kawakami, Toshizumi Sakai.
Assistant Lighting Designer:
Keisuke Niijima.
Assistant Costume Designer::
Chiaki Kakine.
Assistant Video Designer:
Mayo Kawasaki.
Carpenter:
Hideaki Ikemori.
Interpreter:
Miwa Monden.
Puppet Design and Production:
I Kadek Budi Setiawan, Herdjanti Puspaningsih.
Set Production:
Murakami Butai Kiko, Toko.
CAD Operation:
QR8C.
Lighting Operators:
Yasuyuki Yoshida, Takahiro Fujita, Haruka Shibata (TMT), Momoko Abe.
Video Operators:
Sayo Sakai, Kuniaki Kotajima.
Sound Operator:
Masato Yamaha, Masayuki Ohashi.
Wardrobe:
Shumi Abe.
Music Support:
Tomohisa Ishikawa.
Costume Support:
Fuji Hat Co. Ltd, Watanabe Pile.
Technical Support:
K Productions Ltd, Magnus Inc., Illumica Tokyo Co. Ltd.
Sound Advisor:
Kouichi Ishimaru (TMT).
English Script Translators:
Michiyo Sumida, Robert Tierney.
Indonesian Script Translator:
Kyoko Anzai.
Surtitles:
Tsutomu Saito, Miwa Monden.
Stand-In:
Yoji Izumi.
Dialect Coach:
Cousin Maeda.
Promotional Design:
Mitsushi Yanaihara, Takeshi Kawano.
Video Recording and Edit:
Keisuke Takahashi.
Stage Photography:
Jun Ishikawa.
Legal Advisors:
Kensaku Fukui, Kentaro Okamoto (Kotto Dori Law Office).
Assistant Administrator:
Tsutomo Saito.
Producers:
Tokyo Metropolitan Theatre (Hiroshi Takahagi, Keiko Miyamura, Akihisa Abe, Naomi Yoshida, Shinobu Kuroda), Singapore International Festival of Arts, Tay Tong, Fred Frumberg.

Commissioned By:>




Printed Matter

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Sandaime Richard (November & December 2016)


Genre:> Adaptation
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Transcultural Theatre
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Year:> 2023


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