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Key Words
Adaptation, Amnesia, Asian Theatre, Beijing, Body Flip, Bretchian, Change, China, China History, Chinese Opera, Communist Revolution, Contemporary Theatre, Coping Mechanism, Corruption, Emancipation, Equality, Experimental, Feudal, Greek Chorus, Historian, History, Inequality, Landlord, Long Bow, New World, Non-Linear Narrative, Oppression, Ordinary People, Overturn, Peasants, Poverty, Rebirth, Relief, Resistance, Revolution, Survival, Turning Over, Utopia, Village, Villagers, William Hinton,About
Fanshen by David Hare is an accurate historical record of what once happened to a village about 200 km southwest of Beijing. Every revolution creates new words. For the Chinese revolution, it was ‘fanshen’ — literally, to turn the body or to turn over. For the landless and poverty-stricken villagers of Long Bow, it meant to stand up and throw off the landlord’s yoke and to gain land, stocks, implements, and houses. ‘Fanshen’ is the story of how the peasants of Long Bow built a new world.
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Genre:>
Location:>
Date:>
People:>
Director:
Writer:
David Hare
Set Design: ,
. Justin Hill
Light Design:
Costume Design: ,
. Chee Hok Mun
Performers: ,
. Christine Lim
Production Management: ,
Khng Eu Meng,
Lee Weng Kee,
Lim Kay Siu,
Lim Kay Tong,
Lok Meng Chue,
William Grosse,
William Teo,
Yong Mei Hsien,
. Lena Bandara.
Stage Management: Daniel Quek.
Assistant Set Designer & Props: Stephen See.
Promotion & Publicity, Front of House: Jenina Gill.
Collaterals: Goh Eck Kheng
,
, Jenny Chak, Sylvia Tan, Yap Poh Khim. Commissioned By:>
T:>Works
,
. Produced, Managed or Presented By:>
T:>Works
,
. Printed Matter
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