Timeline
1985—89
1990—94
1995—99
2000—04
2005—09
2010—14
2015—19
˅ Hide
Programme Details
Key Words
Absent Mother, Adaptation, Aging, Appropriating Shakespeare, Appropriation, Asian Shakespeare, Asian Theatre, Beijing Opera, Biwa Music, Bunkamura Theater Cocoon, China, Collaboration, Contemporary Asia, Contemporary Dance, Contemporary Japanese Theatre, Contemporary Music, Contemporary Theatre, Contextualization, Decolonisation, Differences, Emperor System, Encounter, Fashion, Female Impersonators, Fukuoka City West Civic Center, Gender Studies, Hip-Hop, Histories, Hybridity, Individual, Indonesia, Interweaving, Japan, Japan Foundation Asia Center, Javanese Gamelan Orchestra, Juxtaposition, Kadoma Citizen's Cultural Hall - Lumiere Hall, Killing The Father, King Lear, Malaysia, Mondialization, Multilingual Theatre, Multiple Actors Playing One Character, Multiplicity, Music Theatre, Negotiation, New Asia, New Millennium, Noh Theatre, Old Man, Older Generation, Patriarchy, Politics of Transcultural Performance, Pop Music, Randai, Rap, Reinvention As A Political Action, Reinvention Of Tradition, Representation Of Asia, Shadows, Shite, Shuji Terayama, Silat, Singapore, Sumatran (Minangkebau) Music, Thailand, The Flying Circus Project, Touring Production, Tradition And Change, Traditional And Contemporary Continuum, Traditional Performing Arts, Transcultural Performance, Transdisciplinary Performance, Transgressing Authority, Translation, Umewaka Noh Family, Who Am I?, Xiaosheng, Younger Generation,About
Based on Shakespeare’s greatest tragedy, Lear is about a young woman who plots to steal the throne and the kingdom from her father. She plans to destroy and ultimately kill him. The old man is blind to her evil plotting and instead disowns his younger daughter, who truly loves him. The passionate conflict between the father and elder daughter thereafter ends in much bloodshed and loss of innocent lives.
Tags
Genre:>
Location:>
APA Lyrics Theatre, Hong Kong
/
Kallang Theatre, Singapore, Singapore
/
Teater Tanah Airku, Jakarta, Indonesia
/
His Majesty’s Theatre, Perth, Australia
/
Date:>
People:>
Producer:
Director:
Ong Keng Sen
Writer: ,
. Rio Kishida
Composer:
Choreographer:
Set Design: ,
. Justin Hill
Light Design:
Costume Design: ,
. Koji Hamai
Sound Design:
Mask & Props Design:
Hair & Make-up Design:
Performers:
Musicians:
Translators:
Tour Company Management:
Associate Producer (Indonesia):
Technical Management: ,
. Charles Milward, Jun Mano.
Production Management: Jodie Koh, Kumi Odairat, Mariko Mugitani.
Stage Management: Danny Hones, Sari Sabda Bakti, Sonoko Yamamoto, Yoshitaka Shiraishi.
Associate Director: Lok Meng Chue.
Structural Engineer: John Portwood.
Lighting Coordinator (Jakarta): Iskandar K Loedin.
Sound: Koji Harada, Masami Ono .
Sound Coordinator (Jakarta): Totom S Kodrat .
Wardrobe: Shumi Abe, Yukako Ozaki .
Subtitles: Elvan Ong .
Stage Crew (Singapore): Brendon M Fernandez, Cedric Tay, Charlotte Chiew, Chia Jenn Hui, Gail Pereira, Jonathan Gwee, Joseph Cheong, Joyce Yao, Karen Loh, Keef Siew, Luanne Poh, Malcolm Thum, Mohd Sharil, Triston Yeo, Valerie Oliveiro.
Hospitality (Singapore): Jeffrey Pung, Sim Hwee Peng.
Interpreters (Singapore): Namiko Chan, Michiyo Sumida, Fukui, Shiho.
Commissioned By:>
Produced, Managed or Presented By:>
Printed Matter
Click on thumbnails to view high resolution files.
Related Programmes
The Continuum: Beyond The Killing Fields (October 2001)
Genre:> Asian Theatre
,
Cambodian Classical Court Dance,
Collaboration,
Contemporary Dance,
Documentary Theatre,
Performance,
Theatre,
Traditional Performing Arts,
Transdisciplinary Performance,
Year:> 2001
,
View details
Type a keyword to search programmes
Filter
The Continuum: Beyond The Killing Fields
Genre:> Adaptation
,
Asian Shakespeare,
Asian Theatre,
Beijing Opera,
Collaboration,
Contemporary Theatre,
Gamelan,
Multilingual Theatre,
Noh Theatre,
Performance,
Randai,
Theatre,
Traditional Performing Arts,
Transcultural Performance,
Transdisciplinary Performance,
Year:> 2006
View details
Showing 1 programmes
Lear (January-February 1999)
Genre:> Adaptation
,
Asian Shakespeare,
Asian Theatre,
Beijing Opera,
Collaboration,
Contemporary Theatre,
Gamelan,
Multilingual Theatre,
Noh Theatre,
Performance,
Randai,
Theatre,
Traditional Performing Arts,
Transcultural Performance,
Transdisciplinary Performance,
Year:> 2021
View details
By Genre
By Year
By City
By Individual/Institution
/
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z